Fanny Hensel
Wanderlied Op. 1 No. 2
Felix Mendelssohn Bartholdy
Die Liebende schreibt Op. post. 86 No. 3
Felix Mendelssohn Bartholdy
Suleika Op. 34 No. 4
Franz Schubert
Das Mädchen D 652
Franz Schubert
An die Nachtigall D 497 "Er liegt und schläft"
Felix Mendelssohn Bartholdy
Allnächtlich im Traume Op. post. 86 No. 4
Felix Mendelssohn Bartholdy
Gruß Op. 19a No. 5
Felix Mendelssohn Bartholdy
Pagenlied WoO 17 No. 2
Franz Schubert
An Silvia D 891
Franz Schubert
Heidenröslein D 257
Fanny Hensel
Warum sind denn die Rosen so blass Op. 1 No. 3
Franz Schubert
Erster Verlust D 226
Franz Schubert
Du liebst mich nicht D 756
Franz Schubert
Lachen und Weinen D 777
Franz Schubert
Die Männer sind méchant D 866/3
Franz Schubert
An den Mond "Geuß, lieber Mond" D 193
Felix Mendelssohn Bartholdy
Der Mond Op. post. 86 No. 5
Fanny Hensel
Die Mainacht Op. 9 No. 6
Franz Schubert
Im Freien D 880
Felix Mendelssohn Bartholdy
Wenn zwei Herzen sich scheiden Op. post. 99 No. 5
Franz Schubert
Auf dem Wasser zu singen D 774
Felix Mendelssohn Bartholdy
Scheidend Op. 9 No. 6
Franz Schubert
Abschied von der Erde D 829
Soprano Theresa Pilsl, previously heard as part of the Young Singers concerts during the 2019 Schubert Week, presents a full recital this season, joined by pianist Hartmut Höll.
In more than 600 songs, Franz Schubert brought to musical life virtually all aspects of human emotions. His artistic adventurousness and his gift to focus thoughts “into limited but sharply defined contours,” as Franz Liszt said about his fellow composer, helped make the German word “lied” an untranslatable term. As in previous seasons, the world of Schubert will be the focus of an entire week of concerts and workshops at the Pierre Boulez Saal, featuring both veteran and young artists brought together by curator Thomas Hampson. In addition to Schubert’s songs, they will also explore the works of some of his predecessors and contemporaries such as Johann Rudolph Zumsteeg, Carl Loewe, and the composers of the “Berliner Liederschule,” such as Johann Friedrich Reichardt and Carl Friedrich Zelter, presenting a multilayered image of the lied genre.
